James Turrell's Skyspace

Right above the Mermaid Inn in Chestnut Hill, Pa. is the Chestnut Hill Friends Meeting House.  Although it is a place for worship, it is also the home of artist James Turrell's  "Skyspace."  The building was recently constructed and features a roof which slides back, allowing the sky to appear through a rectangular opening in the ceiling.

Turrell had LED lights arranged around the base of the ceiling, projecting varying hue gradations upon its eggshell white surface.  As the colors slowly fade into each other one notices the contrast between the ceiling color and the color of the sky above.  At times your perception makes you think the sky is changing its hue.  Turrell has several exhibitions like this around the country.  We are fortunate to have one so close to Springfield High School.

Now, some of you may remember the way you were taught about color contrasts.  A red rectangle of paper was placed on a white piece of paper and you were told to stare at the center or the paper.  After a brief time the rods and cones in your eyes were saturated with the color, and if you closed your eyes, you would see a greenish after image; the opposite of red.  Also, as you were staring at the color, you would notice bright glowing contrasts at the edge of the paper as your eyes shifted their gaze.  The white surface of the paper was affected by the perceived opposite afterimage.  These color contrasts are what Turrell uses to his advantage.

"Skyscape" changes as the light changes.  The meeting house is open at dawn and dusk for this event.  I saw it for the first time on a grey cloudy evening.  This allowed me to perceive warm and cool colors of grey as I stared at the rectangle of sky.  As night approached the value contrast between lit ceiling and dark sky increased.  Sunrise, sunset, and variable atmospheric conditions all change the experience.

"Skyscape" is free at the Chestnut Hill location, although donations are accepted.  Tickets can be ordered online as seating is limited.  First time viewers should consider bringing a yoga mat and small pillow.  It is an hour long event and your neck can get pretty stiff staring at the ceiling.  If you get there a half and hour early you'll get a good seat/position, though center floor will probably be occupied by a more frequent visitor.  It is a silent, meditative atmosphere, so turn off the cell phones and leave the toddlers at home.  If you snore, take along a friend to wake you.  If interested check out the links below.
http://chestnuthillskyspace.org/visit/rsvp/

https://www.quakercloud.org/cloud/chestnut-hill-friends-meeting

http://articles.philly.com/2014-04-24/news/49351165_1_the-skyspace-art-installation-james-turrell

Zorn's Lemma by Hollis Frampton

 I read the title "Zorn's Lemma" on someone's work.  Just a filmmakers' film?

Ways of Seeing

Education is a funny thing.  As teachers, we deliver a lot of facts and information which we think are important for you to know relative to the subject matter.  At the same time, educators are trying to get students to think on higher levels, beyond simple drills and memorization.  The goal is to empower students to organize, analyze, assimilate, and synthesize information so it may be applied to situations outside the immediate circumstance.  In other words, teachers are trying to teach students how to think and apply information. This is one reason why U.S. educators are upset about the current emphasis on standardized testing [we'll leave that point alone for now].  Beyond thinking skills, if teachers have done their jobs well, we have turned our students into self-educators.  That was always my line at graduation, "If I've done my job right, you won't need me any more."  So now, to broaden your thinking about art, I've selected something from the past that, I hope, will help you see or understand art differently.  Sometimes different is good.  Go ahead, educate yourselves.

 "Alright Sherman, set the Way-Back-Machine to 1972."  "Yes, Mr. Peabody."  "Today, Sherman, we're going to see how John Berger demonstrated visual media's influence on the way we look at art, well before personal computers or the internet!"

In his book and video series, Ways of Seeing,  Berger investigates the way we look at and perceive a work of art.  If you read the PDF (see link below) or if you Youtube the BBC video, you will begin to understand art in a broader context than merely liking an image because it "looks cool."  You will understand it in  relationship to your visual world and much, much more.  Recommended understanding for all artists. Follow the link...

http://waysofseeingwaysofseeing.com/ways-of-seeing-john-berger-5.7.pdf

It's First Friday Again

                                                  James Miller, Mixed Media, 7"x11"

Ah, Spring at last. Good weather to get out and see some art.  Here's a link to help with ideas:
http://www.visitphilly.com/events/philadelphia/first-friday/

If you need some specific gallery ideas look up- 1. The Locks Gallery 2. Vox Populi  11th and Vine (always some surprises going on there)  3. Tiger Strikes Asteroid (same building as Vox)  4.  Fjord, Frankford ave.  (you have a chance to see some Springfield alumni there)  5.  2nd and 3rd street galleries too numerous to mention. (I like Gallery Joe, 302 Arch st.)

Happy Hunting.  Make reservations for dinner now!

Art in the Dead of Winter

As the mercury takes a dramatic plunge and snow is covering the ground, I look online and see a variety of ice and snow constructions.  Its hard to keep people indoors, even in extreme conditions.  These forms remind me of Andy Goldsworthy making ice structures with his bare hands in the film Rivers and Tides.  He could not wear gloves because they stuck to the ice and took away his touch.  I recently found the film on Youtube, likely some cyber pirate version, but still a very warming, meditative film for a cold day.  This link shows some photos of Andy's colder endeavors.  http://www.skyline.uk.com/riversandtides/index.html

Current Philadelphia Museum Show

Alumni, K8, visited from LA last week, and we went to the Philadelphia Museum of Art together.  We saw, Represent: 200 years of African American Art, on display across from the museum store.  Check out the museum link on top of the right-hand column of this web page.  There were works featured by well known artists like Barbara Chase-Riboud, Jacob Lawrence, and Glenn Ligon, but also works by local Philadelphians, John Dowell (former instructor at Tyler) and Mo Brooker (instructor at Moore).  The show continues through April 5th.

The World, Matisse, Moma, You, Me

The World:  With all the wrapping that's going on lately, one starts to think about quality papers, materials, patterns, and ways of bonding them together.  Beside gifts, artists have been wrapping things for years, pasting paper, and bonding materials together as collage.

 

The Enigma of Isidore Ducasse, Man Ray, National Gallery of Art.
 http://artsearch.nga.gov.au/Detail.cfm?IRN=43741&PICTAUS=TRUE



 http://christojeanneclaude.net/projects/the-pont-neuf-wrapped#.VJBDm8ksPLU
Christo and Jeanne-Claude
The Pont Neuf Wrapped, Paris, 1975-85
Photo: Wolfgang Volz
© 1985 Christo 


 The Hannover Merzbau by Kurt Schwitters. Photo by Wilhelm Redemann, 1933.
http://www.moma.org/explore/inside_out/2012/07/09/in-search-of-lost-art-kurt-schwitterss-merzbau


Matisse:  At the end of his career, Matisse was cutting paper, and, under his direction, others helped assemble some large collages.


Matisse’s studio, Hôtel Régina, Nice, c. 1953. Photo: Lydia Delectorskaya. © 2014 Succession H. Matisse http://www.moma.org/visit/calendar/exhibitions/1512

Moma:   Henri Matisse: The Cut Outs, Is the current show at New York City's Museum of Modern Art.   This exhibition is an opportunity to view and appreciate the scale of these collages.  Pictures in a book or online just don't cut it.      [yes, I intended that]
  
You:  Throughout my career, I've taken students to the Philadelphia Museum of Art and the Barnes Foundation.  Some were even lucky enough to go to The Modern and the Whitney in NYC.  The one outstanding comment I would hear after every trip was, "Wow! I thought those works were impressive online/in books, but seeing them in person is a moving experience- inspirational."

Me:  My current work has been in torn paper. It was inspired by waves washing up on the beach and leaving a line of sand and debris along the shore.  My collages are as much about the mark an artist makes as they are about the mark a wave leaves behind.  They were not based on the artists or shows seen above.  However, those artists broke ground long before, adding to my palette, and granting me permission to continue.

Like as the waves...