James Miller, Mixed Media, 7"x11"
Ah, Spring at last. Good weather to get out and see some art. Here's a link to help with ideas:
http://www.visitphilly.com/events/philadelphia/first-friday/
If you need some specific gallery ideas look up- 1. The Locks Gallery 2. Vox Populi 11th and Vine (always some surprises going on there) 3. Tiger Strikes Asteroid (same building as Vox) 4. Fjord, Frankford ave. (you have a chance to see some Springfield alumni there) 5. 2nd and 3rd street galleries too numerous to mention. (I like Gallery Joe, 302 Arch st.)
Happy Hunting. Make reservations for dinner now!
Welcome
Welcome to the Springfield Township High School Art Blog. The purpose of this forum is to inspire discourse surrounding your artistic experiences while building writing skills, exercising your art vocabulary, and refining descriptive language relating to art. In your writing, you may choose to discuss museum and gallery exhibitions, publications, articles, professional works, student works, or responses to each other’s ideas and investigations. Additionally, participants may want to pose questions or react to artistic predicaments, sharing the trials, frustrations, solutions, or the general excitement we feel when we make or look at art.
Thursday, April 23, 2015
Friday, February 20, 2015
Art in the Dead of Winter
As the mercury takes a dramatic plunge and snow is covering the ground, I look online and see a variety of ice and snow constructions. Its hard to keep people indoors, even in extreme conditions. These forms remind me of Andy Goldsworthy making ice structures with his bare hands in the film Rivers and Tides. He could not wear gloves because they stuck to the ice and took away his touch. I recently found the film on Youtube, likely some cyber pirate version, but still a very warming, meditative film for a cold day. This link shows some photos of Andy's colder endeavors. http://www.skyline.uk.com/riversandtides/index.html
Tuesday, January 20, 2015
Current Philadelphia Museum Show
Alumni, K8, visited from LA last week, and we went to the Philadelphia Museum of Art together. We saw, Represent: 200 years of African American Art, on display across from the museum store. Check out the museum link on top of the right-hand column of this web page. There were works featured by well known artists like Barbara Chase-Riboud, Jacob Lawrence, and Glenn Ligon, but also works by local Philadelphians, John Dowell (former instructor at Tyler) and Mo Brooker (instructor at Moore). The show continues through April 5th.
Tuesday, December 16, 2014
The World, Matisse, Moma, You, Me
The World: With all the wrapping that's going on lately, one starts to think about quality papers, materials, patterns, and ways of bonding them together. Beside gifts, artists have been wrapping things for years, pasting paper, and bonding materials together as collage.
The Enigma of Isidore Ducasse, Man Ray, National Gallery of Art.
http://artsearch.nga.gov.au/Detail.cfm?IRN=43741&PICTAUS=TRUE
http://christojeanneclaude.net/projects/the-pont-neuf-wrapped#.VJBDm8ksPLU
Christo and Jeanne-Claude
The Pont Neuf Wrapped, Paris, 1975-85
Photo: Wolfgang Volz
© 1985 Christo
The Hannover Merzbau by Kurt Schwitters. Photo by Wilhelm Redemann, 1933.
http://www.moma.org/explore/inside_out/2012/07/09/in-search-of-lost-art-kurt-schwitterss-merzbau
Matisse: At the end of his career, Matisse was cutting paper, and, under his direction, others helped assemble some large collages.
Matisse’s studio, Hôtel Régina, Nice, c. 1953. Photo: Lydia Delectorskaya. © 2014 Succession H. Matisse http://www.moma.org/visit/calendar/exhibitions/1512
Moma: Henri Matisse: The Cut Outs, Is the current show at New York City's Museum of Modern Art. This exhibition is an opportunity to view and appreciate the scale of these collages. Pictures in a book or online just don't cut it. [yes, I intended that]
You: Throughout my career, I've taken students to the Philadelphia Museum of Art and the Barnes Foundation. Some were even lucky enough to go to The Modern and the Whitney in NYC. The one outstanding comment I would hear after every trip was, "Wow! I thought those works were impressive online/in books, but seeing them in person is a moving experience- inspirational."
Me: My current work has been in torn paper. It was inspired by waves washing up on the beach and leaving a line of sand and debris along the shore. My collages are as much about the mark an artist makes as they are about the mark a wave leaves behind. They were not based on the artists or shows seen above. However, those artists broke ground long before, adding to my palette, and granting me permission to continue.
Like as the waves...
Tuesday, November 11, 2014
If I Had a Nickel...
For every student that demonstrated artistic potential, I would like to thank you for the virtual coinage.
My students have produced a wealth of creative answers to the problems over the years. Yet, most of those students go off in search of other goals. They never forget the energy, excitement, and (sometimes) tears these work generated, but I often wonder if the artwork they did in high school is the last they will do.
As a teacher it was never my goal to convert students into artists. My goal was always to give students the best overview of visual art possible, integrating instruction in observation, design, techniques, history, culture, and creativity. As a result, [surprising the heck out of me] some students who had no intention of doing art eventually chose it as a career path! Others, who went directly to art school, later moved on to other careers. I couldn't be happier for their choices. But my point is, their ability to experience, experiment, research, practice, and produce, whether intuitive or learned, is part of their being. All told, the students produced some pretty nice work over the years, and it is work that competes with the best in the country.
The few works I've chosen to post represent examples of strong artistic thinking- real out of the box stuff. Inventive work that doesn't look like cookie cutter art projects. They are uniquely original. These students combined compositional skills they learned, with materials and techniques experienced at other points in their education. Some skills may have been harvested from field experiences, music videos, or science class, but each put their own personal twist into the piece. Something to make theirs different from others in the class.
These particular former students have also chosen other (probably more lucrative) paths. I have a thousand similar examples.
Thursday, October 30, 2014
Philadelphia Open Studios
Springfield High School post-2001 studio 106. Photo: Jennifer Silvius
(not part of the tour)
Last weekend was the “Center City East” Philadelphia Open
Studio tour, featuring artists east of the Schuylkill River. This self-directed tour includes some of the
following (larger) studio complexes: 915 Spring Garden Street Studios, Crane
Old School, Crane Arts, and 1241 Carpenter Street studios. A visit to these venues allows you to see the
scope and diversity of fine art and artists working in the Philadelphia region. You also get to meet and talk with the
artists personally and experience their creative environment. Some studios are quite Spartan (no school
reference intended) while others appear more like someone's living room. It would take paragraphs to describe the experience, and professional journalists have already covered it in more
concise detail than I am capable. I highly
recommend touring the studios next time around. For more information check out this link-
Thursday, October 23, 2014
To Teachers
To teachers who may be sharing this blog with their students (but also good for anyone)-
Sometimes, in my writing and my teaching, I expect my audience to accept that I know what I'm talking about. I forget that credible research sources and supportive background information is important to qualify my goals, statements, and opinions. I am used to presenting waves of humorous pontification to young impressionable students, who are sometimes unsure whether I am pulling their leg or not. I would often leave out important sources. [how my students ever learned anything from me is a puzzle]. So when I used the term "descriptive writing" in this blog, I forgot that I presented a full lesson to my students, complete with resources, defining what I was asking them to do. In turn, I assumed the teachers would understand exactly what I was trying to achieve without offering a clue. So, here is a good resource to get you started http://writingaboutart.org/ The book, Writing About Art, was written by Marjorie Munsterberg. The late Myra Plumridge (former Springfield art teacher) had introduced me to this book before I started grad school. The preface alone will be enough to identify some writing goals for students, but I would use the "Visual Description" section. I find that is one of the weakest areas for students, as it takes a lot of effort and thinking to describe things well.
Sometimes, in my writing and my teaching, I expect my audience to accept that I know what I'm talking about. I forget that credible research sources and supportive background information is important to qualify my goals, statements, and opinions. I am used to presenting waves of humorous pontification to young impressionable students, who are sometimes unsure whether I am pulling their leg or not. I would often leave out important sources. [how my students ever learned anything from me is a puzzle]. So when I used the term "descriptive writing" in this blog, I forgot that I presented a full lesson to my students, complete with resources, defining what I was asking them to do. In turn, I assumed the teachers would understand exactly what I was trying to achieve without offering a clue. So, here is a good resource to get you started http://writingaboutart.org/ The book, Writing About Art, was written by Marjorie Munsterberg. The late Myra Plumridge (former Springfield art teacher) had introduced me to this book before I started grad school. The preface alone will be enough to identify some writing goals for students, but I would use the "Visual Description" section. I find that is one of the weakest areas for students, as it takes a lot of effort and thinking to describe things well.
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